This Floating Excrement Was Way Too Symbolic! It's the Television Letdowns of the Year.

As we consider the television landscape of the recent year, a handful of shows emerge not for their excellence, but for their spectacular failures. From awkward spin-offs to bafflingly bad documentaries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with dreadful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show struggled to find its footing. For a moment, as the third series started, it seemed as if it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the last series. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Still, fans certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's issues. The subject of a very rare zero star review, it was hard to know where to start listing the flaws. The hilariously leaden writing? The tedious glorification of affluence and consumption? The seemingly wilful procession of tropes? Acting so bad they felt borderline spiteful? Let’s just say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this series might induce should be saved for the people who have had to suffer proximity with this charming but flippant egotist.

The Supercomputer Drama

Naturally we understood it was ridiculous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate provocations. But then you view them and are compelled to admit that actually, they might have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark sayings and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-acceptance. But for some reason, this three-part series opted not to explore them. Instead, the experience was like reading a sales catalogue. She obviously has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How does one follow a show that captured a generation? The expectation was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart inclusion of gifted younger comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated with care. Instead, the series struggled painfully to find the right voice, lumbering from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This international thriller about government agencies spying on – and killing off – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for sexual escapades as she prepared for her biggest feat yet. What on earth would motivate her? What we craved was far greater examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to haul her son out of the queue. What we got was horrific imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Kimberly Rangel
Kimberly Rangel

A historian and architectural enthusiast with over a decade of experience documenting and analyzing heritage buildings across Europe and Asia.